I've long been a mouthy advocate for getting--finally
getting--comic book heroines on the screen and Supergirl has always
seemed to me a character with a lot of potential for adaptation. Her one
feature appearance, 1984's SUPERGIRL, became a bit of a fiasco and, in
turn, became something of a camp classic. She was later introduced into SMALLVILLE, which did hint at all that potential but she was still just a supporting character. I was pleased when Greg Berlanti, a creator of CW's ARROW and THE FLASH, announced he was working on a Supergirl series. Eventually,
CBS picked it up and last night, it made its big debut. The pilot is slapdash at times, dramatically confused at others but it left me at least willing to see more.
The
series eschews the original--and convoluted and bad--origin of the
character in favor of a sort of mucked-up version of one introduced in
the comics about a decade ago. In the tv telling, after baby Kal
El--Superman--was launched to Earth from a dying Krypton, his cousin
Kara Zor El, then 13 years old, was dispatched to look after him. The
blast-wave from the explosion of Krypton knocked her ship off course and
into the Phantom Zone. When it finally made its way out and to Earth,
twenty-four years had passed, though she, preserved in suspended animation, hadn't aged.
Given Superman's own story,
the nature of the Phantom Zone, etc., very little of this makes much
sense but as quick and dirty as it seems to a comic vet, it effectively
sets up everything.
When
Kara arrives on Earth, Superman finds her and places her with an
adoptive family. It's a long tradition in Superman adaptations to
recruit for cameos actors and actresses from previous screen
incarnations and here, Kara's adoptive mother is played by Helen Slater,
the original screen Supergirl, and her adoptive father by Dean Cain,
Superman from LOIS & CLARK. Kara grows up and goes to work as the
assistant for media mogul Cat Grant but all the while, she keeps her
powers and her real identity secret. When the plane in which her
adoptive sister is flying nearly crashes, she's forced into action. She
saves the plane but she's photographed, becomes a media sensation and
gets hero fever--decides she'll just burst if she doesn't take up the
cape and the family business. Supergirl is born.
Melissa
Benoist plays Kara in an overly-bright-eyed and maybe
way-too-enthusiastic manner that is, at first,
rather endearing--the vibe is straight "it's cool that a girl can do this stuff"--but carried
too far and too long, it could make her look flighty and stupid. Benoist
is
basically doing a 15-year-old Supergirl. That would be great if the show
featured a teen Supergirl. The character in this series is supposed to be 24 years old.[1] How this will play out is something only time will.
A
significant plot point--because it will provide the series'
villains--is a Kryptonian prison ship that apparently followed Kara's
ship out of the Phantom Zone and to Earth. It seems pretty unlikely a
whole prison full of inmates--hardened criminals with the
Earth-shattering powers of Kryptonians--have been hiding out on Earth
for over a decade without drawing the attention of, say, Superman. There
may be a larger plot at work here. Something else to watch. In the
pilot's biggest error, the identity of "the General," the central
villain revealed at the end, was quite confusing. It's Kara's Kryptonian
mother, who, up to that point, hadn't be shown to have a villainous
bone in her body, to say nothing of the fact that she's supposed to have
been dead for years. In the brief preview for next week's ep, Kara
calls her "aunt," so I'm assuming Kara's mother had a twin sister but
there's no mention in the pilot of any twin sister.
When
it was announced earlier this year, the casting of Mehcad Brooks as
Superman's longtime pal Jimmy Olsen caused a bit of an internet stir.
Jimmy Olsen is, of course, a very young, short, wimpy, freckle-faced
redheaded white guy, whereas Brooks is a 35-year-old, 6'5', 230-or-so-pound muclebound bald black guy with a deep voice--a guy who could, himself, be playing a superhero. And, indeed, he is, in practice, as bizarre a Jimmy Olsen as
he looked on paper, a guy who commands nearly every room he's in. While
the comic vet in me just can't seem to accept him as a Jimmy Olsen, his
Olsen is a very good character--my favorite, in fact, of the
supporting roles so far. As it turns out, he knows all about Kara; her
cousin filled him in.
Nearly everyone
knows about Kara. Olsen knows. Her adoptive sister knows. Her adoptive
sister's employer--a secret agency charged with monitoring and
countering potential extraterrestrial threats--knows. She even tells a
friend at work. The only regular among the so-far-introduced supporting cast who doesn't know is Kara's boss Cat Grant. This exposure could come back to bite our heroine in the future.
The pilot's biggest shortcoming is that nearly all of the
performances are carried out in an over-the-top, anti-naturalistic
manner that perpetually borders on camp yet they're so contrary to one
another they never cohere as a unified dramatic universe. One sees all
of these sorts of performances pretty regularly with genre properties
(though, mercifully, not as often as was once the case). With Kara, this
sort of characterization can seem charming. With Calista Flockhart as
Cat Grant, it's full-blown caricature. And at the other end, Kara's
mother/the "General" is insanely over the top, spouting ridiculous, stilted, ever-so-serious dialogue as melodramatically as possible.
One could break down each of these by their relative merits but
whatever conclusion such an evaluation may yield, few of them seem as if
they belong in the same show.
Still, while this wasn't a great pilot--it certainly wasn't up to that of either ARROW or THE FLASH--it was, rough edges aside, a pretty good one. I'm pleased to have Supergirl back on the screen and interested to see where this incarnation goes.
--j.
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